>>73
> シベリウスのコンチェルトが美しいのはシベリウスが天才だからですよ
> 勘違いしてる人がいるみたいだけど
いや、他のヴァイオリニストとの比較でいってるんだよ。
2008年3月16日のクアラルンプールの演奏を評した下のブログはその一つ：
http://rabinfan.blogspot.com/2008/03/akiko-suwanais-superb-sibelius-vc.html
特にこの箇所は的を得たVengerovやMutterと比較し高く評価している：
I had watched the Sibelius Concerto on many occasions live
(Vengerov at his Proms debut, Anne-Sophie Mutter with Sir Charles Groves
in London, Pekka Kuusisto and Anje Weithaas in KL among some of
the performances that I had seen). Let me cut to the chase and say
that Suwanai's is the most stunning live rendition that I had heard.
[Vengerov had a memory lapse in the last movement, whilst Mutter was
not so technically secure at age 23. Kuusisto was very intent on
dragging and then pulling ahead as he felt led to do so. Weithaas'
rendition was hampered by a very dark sounding violin that was submerged
by the MPO's accompaniment]

Armed with the 1714 ex-Heifetz Dolphin Strad, Suwanai's interpretation
was stunning in its technical delivery - no hurdle was too difficult for
this sweet-looking soloist. In comparision to her SACD recording with
the CBSO and Sakari Oramo, the middle animated section of the second
movement was excellently done, with a swifter and more passionate response
than the SACD version. I had two bones of contention though with her playing
- the rhythm in certain bars (e.g. Bar 9 after Figure 3 and Bar 16 after
Figure 10 in the Eulenberg miniature score of the 1st movement) elongated
beyond their written value and also the very swift speed set for the third
movement by Kevin Field (resulting in some serious co-ordination problems
with the MPO).