ワシントンポストの2003年9月8日の記事抜粋

Still, judged strictly on its musical values, the production was fairly strong.
Conductor Heinz Fricke brought a light touch to the score; at times, it seemed
a sort of Viennese answer to Gilbert and Sullivan. Soprano June Anderson sang
with warmth and brilliance as Rosalinde, and even delivered the showpiece
"Czardas" in Hungarian (the rest of the opera was presented in English, accompanied
by English surtitles that were rather too necessary). Maki Mori made a lovely,
fluty Adele; how rare to hear a coloratura soprano remain in character throughout
an evening and never descend to empty twittering.

ttp://www.washingtonpost.com/ac2/wp-dyn?pagename=article&contentId=A40374-2003Sep7¬Found=true