【追悼】流石だったよなルー・ハリソン
■ このスレッドは過去ログ倉庫に格納されています
0001（ ´_ゝ`）（´<_｀ ）
03/02/06 12:26ID:RsgcyRiW音楽祭に出演するため、関係者が運転する車でアプトスの自宅からオハイオへ向かう途中だったという。
シェーンベルクに学び、ジョン・ケージと並ぶ実験的な現代作曲家として知られた。
インドネシアのガムランなど、民族音楽の打楽器の響きを柔軟にとりこむことで、ジャンルを超えた独自の境地を開拓した。
国立劇場が日本の俳諧をテーマにした作品を委嘱初演したり、一柳慧と共にオペラの総監督をしたりするなど、日本の音楽界との交流も深かった。
http://www.asahi.com/obituaries/update/0206/001.html
0002名無しの笛の踊り
03/02/06 12:31ID:???心臓発作？喉頭ガンの間違いだろ。
i⌒i i⌒i
. i ヽ r‐| 〈 | 〈
. | i |/ .フ. / .フ
し ヽ ∧＿∧ / | ヽ ∧＿∧ / |
＼ ＼（ ´_ゝ`）/. ﾉ ＼（´<_｀ ） /. ﾉ ジョージ・ハリソンと
＼ ヽ i | ＼ ヽ i | 混同してないかい？兄者。
＿|￣ヽ ＼▓.ノ ﾉ |￣ヽ ＼ ▓.ノ ﾉ
＼￣￣￣￣▓▓￣￣＼￣￣￣￣▓▓￣￣＼
||＼ ＼ ＼
|| ||￣￣￣￣￣￣￣|| ||￣￣￣￣￣￣￣||
|| ||￣￣￣￣￣￣￣|| ||￣￣￣￣￣￣￣||
.|| || || ||
0003名無しの笛の踊り
03/02/06 12:50ID:???0004名無しの笛の踊り
03/02/06 12:55ID:???（ ´_ゝ`） またKasumoerer召喚スレかよ。
／ ＼
/ /￣￣￣￣/
(.∬.つ / FMV / 最低最悪だな。
.|＼旦＼/＿＿＿＿/＼ ∧＿∧
／＼.＼. ＼ _ （´<_｀ ）
／ ＼|￣￣￣￣￣￣￣￣| ＼ ／ノ (⌒つ
＼ /￣￣￣￣￣￣￣￣＼ ＼ | |
＼ /. ＼ >―. し
.ソ＿＿＿＿＿＿＿＿＿＿＿ノ
0005名無しの笛の踊り
03/02/06 13:41ID:???0007名無しの笛の踊り
03/02/06 15:24ID:???0008名無しの笛の踊り
03/02/06 15:42ID:???(,,ﾟДﾟ) ﾊｱ?
0009名無しの笛の踊り
03/02/06 17:16ID:???0010名無しの笛の踊り
03/02/06 22:22ID:XaaIouVM∧＿∧
∧＿∧ （´<_｀ ） ところで、代表作は何よ？
（ ´_ゝ`） / ⌒i
／ ＼ | |
/ /￣￣￣￣/ |
＿_(__ﾆつ/ HMV / .| .|＿＿＿＿
＼/＿＿＿＿/ （u ⊃
0011（ ´_ゝ`）（´<_｀ ）
03/02/06 22:39ID:tOHMtwxr∧＿∧
∧＿∧ （´<_｀ ） けっこう詳しいな。
（ ´_ゝ`） / ⌒i
／ ＼ | |
/ /￣￣￣￣/ |
＿_(__ﾆつ/ HMV / .| .|＿＿＿＿
＼/＿＿＿＿/ （u ⊃
Lou Harrison, 85, Dies; Music Tied Cultures
By JOHN ROCKWELL
Lou Harrison, a distinguished composer in all genres of classical music, founder of the American gamelan movement and a leading exemplar of the marriage of Asian and Western music, died on Sunday evening at a Denny's restaurant in Lafayette, Ind.
He was 85 and lived in Aptos, Calif.
The apparent cause was a heart attack, although there will be no autopsy and he will be cremated in Indiana, said Eva Soltes, an arts producer long associated with Mr. Harrison who had been videotaping him for two decades.
Mr. Harrison was en route to a festival of his music at Ohio State University.
He was accompanied by his companion and only survivor,
Todd Burlingame, and two Ohio State music students.
Mr. Harrison's primary contribution to Western music, aside from the sheer beauty of his works, was his wide-ranging, deeply felt connection to the musics of non-Western cultures, Asian especially.
He studied in Taiwan and South Korea and was deeply immersed in Javanese music.
He built several gamelans, or Indonesian percussion orchestras, spawning a movement that spread through North America (there are some 200 ensembles built in direct emulation of Mr. Harrison's).
They play both traditional pieces and newly composed music.
0012（ ´_ゝ`）（´<_｀ ）
03/02/06 22:44ID:???He prized just intonation, meaning pure intervals uncompromised by the Western tempered scale. He sought universal peace and brotherhood, writing or titling several of his works in Esperanto.
Above all, he reveled in melodic sensuality and timbral extravagance, born from the pitch-purity of his tunings and the enormous variety of instruments and combinations that he employed.
In his instrument-building he was abetted by William Colvig, a craftsman who died in 2000 after 33 years as Harrison's companion.
Colvig also helped design a house of straw bales in Joshua Tree, in the California Mojave Desert, which Mr. Harrison used as a studio in recent years and offered as a retreat to other artists.
Personally, Mr. Harrison was warm and embracing, beloved by his many friends.
Of a generation of homosexuals who often sought to mask their preferences, Mr. Harrison was an outspoken gay, marching annually and happily in the San Francisco gay pride parade.
One of his last projects was the expansion, commissioned by the Lincoln Center Festival, of his 1971 puppet opera with chamber ensemble of Asian instruments called "Young Caeser" (his spelling) into a full-scale opera.
He called "Young Caeser" "the only opera with an overtly presented gay subject from history," in the composer Ned Rorem's words in the Grove Dictionary of Opera.
Lou Harrison was born on May 14, 1917, in Portland, Ore.
He studied in San Francisco with Henry Cowell (an important predecessor in the championing of Asian music) and Arnold Schoenberg in Los Angeles, where he organized concerts of percussion music with John Cage.
On the side he worked as a florist, record clerk, poet, dancer, dance critic, music copyist and playwright.
0013（ ´_ゝ`）（´<_｀ ）
03/02/06 22:46ID:???Mr. Harrison wrote music criticism (including a stint in Thomson's collection of composer-critics at The New York Herald Tribune), and prepared and conducted the first performance of a complete symphony by Charles Ives, the Third, in 1947.
But the atmosphere of New York and his life there proved stressful, and eventually the lure of the West Coast and its position on the Pacific Rim reclaimed him.
He settled in Aptos, south of Santa Cruz.
For a while he survived on the occasional grant and odd job, including a three-year period working by day in an animal hospital and composing by night.
Gradually, however, teaching jobs came his way ・various visiting professorships and more extended positions at San Jose State University and, after 1980, Mills College in Oakland.
His extensive oeuvre includes everything from ballets to operas to symphonies to concertos to instrumental suites to innumerable pieces for gamelan.
A particularly charming and characteristic work is "Pacifika Rondo" from 1963, a suite featuring different Asian instruments.
The title is Esperanto.
0014（ ´_ゝ`）（´<_｀ ）
03/02/06 22:48ID:???Mr. Thomas has been an active champion of Mr. Harrison's music.
Mr. Harrison also enjoyed a productive relationship with the choreographer Mark Morris, who used several of his works for dances and commissioned "Rhymes With Silver," a 1996 piece for chamber ensemble with Yo-Yo Ma as cellist.
Just last year Mr. Harrison completed a new work called "Nek Chand," for specially constructed just-intoned Hawaiian slack guitar.
Next month a book called "Poems and Pieces" will appear in a limited edition, interleavening some of Mr. Harrison's poems, gamelan scores and drawings.
Many of the drawings, Ms. Soltes said, are of Colvig.
0015名無しの笛の踊り
03/02/06 23:28ID:???漏れにはマックス・ローチのドラム聴くほうが遥かに面白いな
0016名無しの笛の踊り
03/02/07 00:42ID:???0017名無しの笛の踊り
03/02/07 00:47ID:???から出てるのしか聴いた事ないけど、、
CDいっぱい出ていて、どれから手出していいのかわかんない。
この人の功績（？）って何？by日本語でお願い
ジョンケージとホモだち
って事くらいかしら？
0018名無しの笛の踊り
03/02/07 08:35ID:???弾いてるよ。オケは新日だし。
0019名無しの笛の踊り
03/02/08 13:06ID:???0020名無しの笛の踊り
03/02/11 12:40ID:???0021は ◆KWXLjRb0oY
03/02/12 23:42ID:???0022名無しの笛の踊り
03/02/13 14:06ID:???けっこうきれいな曲だったよ。
0024名無しの笛の踊り
03/02/17 17:06ID:Urm2LDnF0025名無しの笛の踊り
03/02/20 16:21ID:NM+go/vz0026名無しの笛の踊り
03/02/22 15:24ID:???∧＿∧
（ ´_ゝ`）
／ ＼
/ /￣￣￣￣/
(.∬.つ / FMV / 兄者が知らないとは。
.|＼旦＼/＿＿＿＿/＼ ∧＿∧
／＼.＼. ＼ _ （´<_｀ ）
／ ＼|￣￣￣￣￣￣￣￣| ＼ ／ノ (⌒つ
＼ /￣￣￣￣￣￣￣￣＼ ＼ | |
＼ /. ＼ >―. し
.ソ＿＿＿＿＿＿＿＿＿＿＿ノ
0027名無しの笛の踊り
03/02/26 18:44ID:???0028名無しの笛の踊り
03/02/27 09:28ID:???0029名無しの笛の踊り
03/02/27 12:53ID:mfFHzTqx0032名無しの笛の踊り
03/02/28 01:42ID:???0033名無しの笛の踊り
03/02/28 05:54ID:???他のジャンルの音楽を卑下するわけではないが、クラシックの持つ特殊な効果なのか？
∧＿∧
∧＿∧ （´<_｀ ） 文字レスが多いのも特徴だな・・・
（ ´_ゝ`） / ⌒i どうでもいいが兄者、他のスレで書いたギコが残っているぞ・・・
／ ＼ | | ∧∧
/ /￣￣￣￣/ | (ﾟДﾟ,,)
＿_(__ﾆつ/ FMV / .| .|＿＿＿ / ヽ__＿＿
＼/＿＿＿＿/ （u ⊃ ⊂ＵＵＯ〜
0034名無しの笛の踊り
03/02/28 08:14ID:???また茶化すにも情報が少ないマイナーな人だし、
49日過ぎても（ ´_ゝ`） のペースにはならなそう。
0035名無しの笛の踊リ
03/03/05 00:05ID:???35ゲット
0036名無しの笛の踊り
03/03/05 00:07ID:gmp4ZRGAビートルズのジョージ・ハリスンかと思った。
0037名無しの笛の踊り
03/03/05 00:09ID:???0038
03/03/07 16:46ID:C6G/zd9e0039名無しの笛の踊り
03/03/07 17:06ID:???0040名無しの笛の踊り
03/03/07 21:30ID:3og7+TM80041名無しの笛の踊り
03/03/09 01:47ID:pm9FdVls0042名無しの笛の踊り
03/03/10 17:52ID:???「ピアノ協奏曲」の２曲だけ聴けばよい。
0044名無しの笛の踊り
03/03/14 09:14ID:sQauDPTD0045名無しの笛の踊り
03/03/18 03:50ID:???■ このスレッドは過去ログ倉庫に格納されています